Author: Chloe Warren
Chloe Warren
Chloe writes about culture, art, and the moments that shape how we see the world. She believes good criticism is just honest conversation.
Anthropic is making it easier to detect Claude-generated text, giving the social stigma around AI writing a more formal mechanism to work with.
Rachel Bell, content director for NYC dispensary Gotham, visits the Guggenheim stoned for her video series Hi, I’m High — and leaves with sculpture opinions.
Bachmann’s flash fiction “The Hobbler,” published in The New Yorker, builds an entire emotional architecture from one conditional sentence about hope and morning.
Eric Wareheim turned post-divorce plant collecting into a real business, with Martha Stewart and Kelly Wearstler among his clients.
Elizabeth Meriwether’s Hulu series “Furious” follows a female killer targeting an abuse network — brutal, funny, and harder to dismiss than its premise suggests.
Gregg Araki’s new film stars Charli XCX and Johnny Knoxville. He tells The New Yorker that heartbreak and confusion are worth having.
Arizona Republicans are selecting a nominee to face Democratic incumbent Gov. Katie Hobbs, while a congressional primary fractures over sexual impropriety allegations.
Florentina Holzinger’s extreme body-based performances have made audiences faint and vomit. At the Venice Biennale, the same uncompromising work made her a star.
In 1990, Wilson Phillips released “Hold On” — a song of radical sincerity from the daughters of rock legends that disarmed teenage cynics everywhere.
Vasily Grossman covered WWII for Soviet propaganda and produced journalism that ended up as Nuremberg evidence. His full work was suppressed until after his death.