Author: Chloe Warren
Chloe Warren
Chloe writes about culture, art, and the moments that shape how we see the world. She believes good criticism is just honest conversation.
ICE arrested nearly 51,000 people in August alone, a single-month record. Operations at hospitals, airports, and schools are reshaping daily life.
New Yorker readers respond to four October 2026 pieces on smokejumpers, A.I. music, lingerie, and home ownership — topics where journalism meets lived tension.
A group of New Yorkers is fighting to reclaim public space — pushing to turn vacant lots into gardens and challenging venue Guastavino’s over courtyard access.
Ari Emanuel spoke with David Remnick about his ties to Trump, Elon Musk, and MBS, defending what he calls operating in “shades of gray.”
Ric Burns adds two new episodes to his documentary series on New York City, covering Superstorm Sandy, COVID-19, and the Eric Adams corruption saga.
The New Yorker’s Fuck, Marry, Kill update swaps celebrities for tax returns, life insurance, and a lost HR folder. It’s funnier than it should be.
The New Yorker’s “Shouts & Murmurs” runs a care guide for a human girlfriend named Blythe, who believes hydration is a Gatorade conspiracy.
Minnie Evans’s dense, visionary paintings are at the Whitney. Standing in front of them long enough, the eye stops decoding — and something else begins.
Elegance Bratton’s “By Any Means” stars Mark Wahlberg and Yahya Abdul-Mateen II in a 1960s civil rights story told through a gangland lens.
Alex Ullom’s *It Ends* joins a growing wave of Gen Z horror directors translating generational anxiety into cinema — and reshaping the genre in the process.